Quietly consent

work in progress 2016 anna sharman

These works have been difficult to complete, started 2 back in July 2016 and after a lot of pondering and struggling with compositions they are finished. A nod to the past, these works ended up being the result of a transitional period in my life. Quietly consenting to the will of the universe.

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All lined up, extra boarder space than usual for these 4.

 

 

 

Anna Sharman 2017 Quietly consent 1-4 (9)Anna Sharman 2017 Quietly consent 1-4 (10)Anna Sharman 2017 Quietly consent 1-4 (11)Anna Sharman 2017 Quietly consent 1-4 (7)

Over and Over @ Artstation

Over and Over exhibition Opening night 2013 016

Here is what I put up for the show, 11 paintings all Acrylic on recycled packaging;

1.)    Blueberry Chocolate #1

2.)    Sports Headphones #1

3.)    Spearmint Toothpaste #1

4.)    Mini Chocolate Icecreams #1

5.)    Egg Fried Rice #1

6.)    Medium Fries #2

7.)    Rocky Road #1

8.)    Eau Du Toilette #1

9.)    Blueberry Chocolate #2

10.) Vanilla Soap #1

11.) Medium Diet Coke #1

Over and Over exhibition Opening night 2013 008

Over and Over exhibition Opening night 2013 002

People got a little gift to take away art objects with them, many of them were collaborations between the four of us, with our branding stenciled on the backs.

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Over and Over exhibition Opening night 2013 018

The opening night was a success, we received lovely sponsorship from Ti Tonics who provided our guests with tasty iced teas.  Me, Jeremy & Priscilla do an awkward pose with our Ti Tonics.

Over and Over exhibition Opening night 2013 014

Mel Deacon and me 🙂
Over and Over Brochure images (1)

Our extended statement about the inspiration for the exhibition:

Over and over

Recreate, reuse, renew, recycle, re-imagine. These are the foundations of the postmodern world and process. It is said that nothing is original, that everything has been done before. This is true in the sense that society and culture are built on the bones of the past. But this does not mean that the world today is a carbon copy of yesterday instead it is an evolution of what came before. Everything is recycled and repeated, from everyday objects and debris to ideas, cultures and the very building blocks of our universe. Over and Over plays with the postmodern process in a literal way; taking objects, ideas, materials and images that have been discarded, replaced and overlooked and recycling them through painting, sculpture and digital mediums to create a space that explores the way society interacts with its world.

Contemporary art is built upon a long history of reusing and repeating. “No poet, no artist, of any art has his complete meaning alone” (Elliot, T.S. 1921). Art is a pragmatic creature that always makes use of what it finds nearby. Art parallels life and is a reflection of its time. An idea may have been explored a thousand times over countless years, but that idea, piece of writing, music or art will always be original in its time. The cave man paints on the cave wall, the romantic uses emotion as muse and the postmodernist uses everything. Anything created by the human hand is just as much about the person viewing or making use of it as it is the actual thing itself. A person today is not the same as a person yesterday, a year ago or who lived long in the past. The object remains the same but the person never is, even an individual changes and evolves day to day, moment to moment and will never see the world the same way twice.

Humans are social creatures that like to be connected to those around them and are grounded in the moment through their links to the past. An object gains value through use, it could be used by many people once or one person many times but through use it becomes a bond between people or a marker of a point in time. Typical of this idea are heirlooms or hand-me-downs. A person often feels connected to their ancestors or historical roots via these objects that are passed down through families or found in antique stores. These objects become part of a person’s story and help shape an individual’s relation to their environment, culture and society. An objects importance can be measured by its historical / sentimental worth or its functional value. Art made with recognizable everyday objects is a way of denying the importance of traditional materials used in the creation of art. A recycled item is richer in history than something new which is ‘empty’ of history.

New Zealanders have long held a reputation for do-it-yourself jobs and fix ups and above all cherish their landscape. Throughout our communities there is a prevailing discussion around the environment and the growing unease from the rest of the world in regards to maintaining nature’s treasures. The historical background of New Zealand is also one of adaptation and making do with what is available. In using recycled materials the artists of ‘Over and Over’ are responding to the history, story and value that those materials have. In the current political climate it is contextually important for artists to maintain a sustainable practice. Society’s great thinkers have taught that it is becoming increasingly necessary to look back upon individual actions and the actions of others and readdress harmful habits in order to progress as a social species.

Over and Over invites the audience to look again at their surroundings, their repeated and recycled relationships, habits and actions that are a part of the every day. The hybrid assemblages of Over and Over encourage audiences to consider alternative ways of moving through and interacting with the spaces and environments they are surrounded by every day; enabling them to rethink the past and re-imagine the future. The objects, ideas and interactions that are a part of a person’s life take on meaning and importance because of their ever renewing history. An object is always more than the sum of its parts; it is also everything it has seen, been used for and has been a part of.

Upcoming exhibition Over and Over

I’m in this exhibition coming up in May, here are the details 🙂

OVER AND OVER

8 MAY – 26 MAY 2013
Opens 5-7pm Tuesday 7 May

ANNA SHARMAN
JEREMY HANSEN
MELANIE DEACON
PRISCILLA HUNTER

Recreate, reuse, renew, recycle, reimagine.
Over and Over is a collective examination and interpretation
of what this Re- prefix can mean and become. An individuals life is an act of repetition from the small habits and interactions carried out every day to the more compelling events that are a part of all of us. This exhibition uses the act and process of recycling everyday materials, ideas and images to look at the way our personal, social and mental environments are a product of constant renewal, repetition and reinvention.

ARTSTATION GALLERY
Upstairs, 1 Ponsonby Road,
Newton, Auckland 1011
Gallery Hours: Mon-Fri 9am-5pm
Sat 10am-4pm
09 376 3221
artstation@aucklandcouncil.govt.nz
http://www.aucklandcouncil.govt.nz/artstation

Over and Over Brochure images (1)

Aid to Navigation – Entry into Molly Morpeth 2013

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Here is my entry for this years Molly Morpeth C Awards, It started out with a sci-fi fan-fic images of a space woman looking out at a glowing planet/Earth, and I got a bit excited and tried to re-create the feeling. I’ve always liked when in movies you know they’re no on Earth cause there is some crazy stuff happening in the sky, like 5 moons or another planet so close you can see its atmosphere – unpractical but very scene setting. The works a bit simple, and spaced out, not much overlapping. I had a bit of theme going, navigational tools , such as land structure or moon or stars or buildings… 

At the bottom I sort of had an artist moment, where I was reflecting on my most popular piece at my graduation (Reweaving the world) and how much having a ‘popular’ piece can affect all paintings there-after and really create a bit of halt in the natural progressions and experiments. Also it happens to be quiet a famous photograph and I’m always worried about the tricky business of appropriation 🙂 but we’ll see.

New Zealand Painting & Printmaking Award 2013 – Finalist

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In the Constellation of Carina is my entry for this years award, I really like the freedom of this piece, I just let the images play out, and when I didn’t like something I turn it around. It seems to have worked well, I’m trying out a more obvious approach to my references, the cut-off lines to where a picture would end I have kept, which gives it most a plastered/ stuck on look. Theres something about that hot pink which is coming into all of the images, and I can’t help remember when I first used it two years back and it instantly gave a gamer-girl vibe to the whole thing – something which could get out of control. >_<. The shin-digs going down in Feb, so we’ll see how things go; also this will be the first time I’ve entered a work and framed it, its got glass, I’m more then apprehensive of the shine/glare.

The Trusts – Art and Sculpture awards exhibition

I entered my work into the Art and Sculpture awards and got into the main exhibition. That is me standing at the door because no photos allowed inside. I entered two new pieces which are from a similar line of investigation regarding the idea of the portal or jumpgate. Instead of doing a claustrophobic work like usual with many images, I used only two images for each of these painting. Trying to create some kind of harmony, but still aiming for nonsensical. Jumpgate 1.1 is on bamboo paper, which turns out does not like masking tape at all. Formations: Jumpgate, has many textures in its white area, many layers of gessoed surfaces, there is something interesting there that I might continue on in future paintings.